Sasami Performs at Pappy and Harriet’s in Pioneertown
If you’ve ever drafted an overly long text to someone and decided against sending it, then you’ll probably hear something of yourself in SASAMI, out March 2019 on Domino. “It’s a mix of a diary and a collection of letters, written but never sent, to people I’ve been intimately involved with in one way or another,” explains Los Angeles songwriter and multi-instrumentalist Sasami Ashworth, aka SASAMI, who wrote the album’s ten tautly melodic rock tracks over the course of a year on tour, playing keys and guitar with Cherry Glazerr. “Ok, maybe they’re more like over-dramatic drafts of texts that you compose in the Notes section of your iPhone, but either way, they come from a place of getting something off my chest.” In an Instagram post announcing the release of “Callous,” a haunting ballad chronicling the disintegration of a relationship over wrenching guitar wails, she sums up the inspiration behind her engrossingly confessional debut more bluntly: “Everyone I fucked and who fucked me last year.”
Originating as a string of demos she recorded straight to her iPad on tour, the songs poured out of Ashworth in stream-of-consciousness fashion, tracking the thrills, disappointments, and non-starters of a year spent newly single and on the road. In many ways, though, they were the culmination of decades of hard work. After a studying piano as a child, she picked up the French horn in middle school, and has been playing music pretty much every day since—first as a long-time conservatory kid with her sights on a career as a classical French horn player, and later as an elementary school music teacher, running around a classroom, making up songs and dances, and directing rag-tag orchestras full of glockenspiels and bongos.