Modernism Week's Beginnings Forged by Creative Thinkers

Since 2006, this signature event has seen exponential growth both in numbers and programming

Lydia Kremer Attractions 0 Comments

The late Julius Shulman (left), a renowned photographer of midcentury architecture, signs his book, Julius Shulman Palm Springs, flanked by co-author Michael Stern during the Modernism Sale and Show in 2008.
Photo by David Potter


While you are sipping a cocktail at a poolside party or enjoying a film, a home tour, or a lecture during the 2016 Modernism Week in February, you should know that this event’s stature as a glamorous international cultural event grew out of surprisingly humble beginnings.

Like many great ideas that have become successful, Modernism Week began as a small passion project by a few creative thinkers.

Envisioned as a way to augment the Palm Springs Modernism Show & Sale and the annual Palm Springs Art Museum’s Architecture & Design Council (ADC) Symposium, Modernism Week was launched in February 2006 to celebrate the area's prolific stable of midcentury modern architecture.


photo by lydia Kremer

The personal residence of famed designer Arthur Elrod (before he moved to his renowned John Lautner Southridge home) was featured on an Interior Design Home Tour during the 2011 Modernism Week.


Produced by national show producers Dolphin Promotions, the Modernism Show & Sale, was held over the President’s Day weekend in February with the ADC Symposium following the next weekend.

The Modernism Show began in 2001 at the Palm Springs Convention Center while the ADC Symposium had been an annual event at the Annenberg Theater since 1999. As these two events took place on consecutive weekends, the small group of preservationists and modernism architecture aficionados behind Modernism Week at the time wanted to offer programming during the week that was bookended by these two established events.

The group called itself the Modernism Week Committee and was a loosely formed volunteer organization of about a dozen like-minded modernists and representatives from several nonprofits: the Palm Springs Art Museum, Palm Springs Modern Committee (ModCom), Palm Springs Preservation Foundation (PSPF), the Palm Springs Historical Society, as well as other community and for-profit businesses.


photo by gregg felsen

Attendees coming to the Modernism Week Preview at the Palm Springs Convention Center in 2009.


Among this group of modernism Pied Pipers who hatched the concept of Modernism Week were: Sidney Williams, Philip K. Smith, Jay Nailor, William Kopelk, Jacques Caussin, Bob Bogard, Nickie McLaughlin, Ron and Barbara Marshall, Jeri Vogelsang, Stewart Weiner, Christy Eugenis, Doug Hudson and myself.

With seed money from some of these entities, Modernism Week was born. The group began planning home tours, double decker bus tours, parties at architecturally significant homes, film screenings and other events to fill in the week, fulfilling the name — Modernism Week.

The first year of Modernism Week in 2006 featured a handful of events, but the public’s enthusiasm for such a concept was evident immediately. All the events were well attended and Modernism Week’s immediate success enabled the group to repay the seed money the first year.


photo courtesy of palm springs life archives

Moby speaks during Modernism Week in 2013.


In 2007, we curated about 20 Modernism Week events. As Year 2 and Year 3 grew exponentially, the Modernism Committee realized they had a tiger by the tail. They found that the public’s appetite for all things “modern” was insatiable. Each year the group added more and more events to round out the week’s schedule, while the robust ticket sales continued and the excitement grew.

The Committee recognized they had to become a legitimate entity, so board of directors was elected and a 501(c)3 nonprofit status was filed to officially make Modernism Week a legal entity.

When the group morphed from a “committee” to a legal nonprofit in 2008, it marked a major milestone. The first Modernism Week board was comprised of Caussin, Williams, Eugenis, Weiner, Kopelk, Barbara Marshall, and myself.

The executive board and the other board members were all hard working volunteers. It soon became clear that the executive director, Nickie McLaughlin, who handled the day-to-day operations, should be a paid position. It was also decided that Modernism Week needed a full-time publicist, also a paid position. I stepped off the board to handle the public relations for Modernism Week for the first seven years.


photo by lydia kremer

The late Jack Reynolds (left) with board member, Beverly Morse, and chairman, Jacques Caussin, at a 2011 Volunteer Party held at the Riviera Palm Springs.


Modernism Week’s Growth:

• From 10 events to now more than 200.

• The event has grown to 10 or 11 days of modernism fun.

• Attendance now exceeds 45,000.

• They come from across the globe, including Europe, Asia, Australia, South America and beyond.

• The economic impact to the city’s tourism sector is significant —  nearly $22 million dollars, according to Modernism Week.


Modernism Week 2016, Feb. 11-21, 760-799-9477;


Lydia Kremer has worked in the architecture and design communities of Palm Springs for more than 10 years. As a publicist, she promoted Palm Springs Modernism Week for seven years since its inception, she served on the Architectural Design Council board for five years, and was a board trustee for the California Preservation Foundation for five years.


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